Postgraduate Module Descriptor


ANTM100: The Animal Mirror: Representations of Animality

This module descriptor refers to the 2017/8 academic year.

Module Content

Syllabus Plan

The structure and thematic content will include some or all of the following:

 

  • The representation of animals in ‘culture’ and the media
  • The representation of animals in literature (including an overview of how to approach working with texts)
  • Animals and Colonialism
  • Representing self and other
  • The animal aesthetic: Animals in Art/Animals as Art
  • Anthropomorphism
  • The post-modern animal and post-humanism
  • Hybrids
  • Exhibiting animals 

Learning and Teaching

This table provides an overview of how your hours of study for this module are allocated:

Scheduled Learning and Teaching ActivitiesGuided independent studyPlacement / study abroad
201300

...and this table provides a more detailed breakdown of the hours allocated to various study activities:

CategoryHours of study timeDescription
Scheduled Learning & Teaching activities 1010 x 1 hour podcast audio lectures with accompanying powerpoint presentations
Scheduled Learning & Teaching activities 1010 x 1 hour discussion/seminar participations on the VLE discussion forums (Including formative assessments)
Guided Independent Study 45Weekly preparatory reading for lectures and seminars
Guided Independent Study 30Preparation for formative assessments
Guided Independent Study 50 Research and writing of summative assessments
Guided Independent Study 5Attendance at an exhibition

Online Resources

This module has online resources available via ELE (the Exeter Learning Environment).

Indicative Reading List

This reading list is indicative - i.e. it provides an idea of texts that may be useful to you on this module, but it is not considered to be a confirmed or compulsory reading list for this module.

Atwood, M. 2003. Oryx and Crake. London: Virago.

Atwood, M. 2010. The Year of the Flood. London: Virago.

Baker, S. 2000. The Post-modern Animal .London: Reaktion Books.

Baker, S. 2001. Picturing the beast: Animals, identity, and representation .Urbana:University ofIllinois Press.

Bergthaller, H. (2010). ‘Housebreaking the Human Animal: Humanism and the problem of sustainability in Margaret Atwood's Oryx and Crake and The Year of the Flood’ English Studies . 91 (7): 728-743.

Burt, J. 2002. Animals in Film .London: Reaktion Books.

Chris, C. 2006. Watching Wildlife .University ofMinnesota Press.

Coetze, J. M. 2004. Waiting for the Barbarians .London: Random House.

Connor, D. 2006. ‘The Menagerie of the Senses’ Senses & Society . 1(1): 9 – 26.

Daston, L. & Mitman, G. 2006. Thinking with animals: new perspectives on anthropomorphism .ColumbiaUniversity Press.

Derrida, J. & Wills, D. 2002. ‘The Animal That Therefore I Am (More to Follow)’ Critical Inquiry 28, no. 2: 369-418.

Descartes, Rene. 1912. Trans. John Vetch   1934. Discourse on Method. Everyman's Library. London: Dent.

Drobnick, J. 2006. ‘Oleg Kulik: Zoophrenic Odors’ Senses & Society . 1 (1): 141 – 148.

Fudge, E. 2000. Animal .London: Reaktion Books.

Fuentes, A. 2006. ‘The Humanity of Animals and the Animality of Humans: A View from Biological Anthropology Inspired by J. M. Coetzee’s Elizabeth Costello American Anthropologist Volume 108 (1).

Haraway, D. 1991. Simians, Cyborgs and Women: The Reinvention of Nature . Free Association Books.

Kristoffersen, Siv. 2010. ‘Half beast–half man: hybrid figures in animal art’ World Archaeology. 42 (2): 261-272

Malamud, R. 1998. Reading zoos: representations of animals and captivity .New York:New YorkUniversity Press.

Rachels, J. 1991. Created from Animals: The Moral Implications of Darwinism. Oxford:OxfordUniversity Press.

Rothfels, N. Representing Animals .IndianaUniversity Press.

Russell, C.L. and Ankenman, M.J. 1996. Orangutans as photographic collectibles: ecotourism and the commodification of nature. Tourism Recreation Research. 21(1): 71–78.