Undergraduate Module Descriptor

LAW2102: Art and Law

This module descriptor refers to the 2019/0 academic year.

Module Aims

  • The key aim of the module is to provide you with the opportunity to explore the rich relationship between various areas of law through art, thereby deepening your understanding of the intersections of law in general and especially its impact on cultural and social development.
  • The module also aims to provide you with interdisciplinary learning opportunities that will generate rich and stimulating engagements both with the material and peers.
  • With a portion of the assessment based on a creative work, the module aims to develop and strengthen your appreciation of how the law filters and facilitates cultural production. The essay component of the assessment criteria aims to enhance critical thinking and creative argumentation skills.
  • Throughout the module, you will be challenged to nurture creative and analytical capacities that are particularly valued by employers. 

Intended Learning Outcomes (ILOs)

This module's assessment will evaluate your achievement of the ILOs listed here – you will see reference to these ILO numbers in the details of the assessment for this module.

On successfully completing the programme you will be able to:
Module-Specific Skills1. Demonstrate detailed knowledge and understanding of the relationship between law and cultural production
2. Demonstrate a critical knowledge and understanding of main areas of law and visual arts scholarship, using a wide range of appropriate concepts, interpretative techniques and terminology
3. Think critically and creatively through the production of an artistic output based on the application and critical analysis of relevant law and its practical application
Discipline-Specific Skills4. Exercise critical thinking and judgment concerning the assumptions and aspirations of law
5. Explain relevant information from primary and secondary legal sources using appropriate interpretative techniques
6. Engage with legal materials as a critical and creative reader
Personal and Key Skills7. Identify, retrieve, and use a range of library-based and electronic resources with minimum guidance
8. Manage time independently and efficiently in preparing for learning activities, to be proactive in developing your own learning, and to work independently within a limited time frame to complete a specified task

Module Content

Syllabus Plan

While the module’s precise content will vary from year to year, it is envisaged that the syllabus will cover some or all of the following topics:

  • Introduction to Art and Law
  • Access to the Public Domain
  • Reuse of the Public Domain
  • Creativity in Art and the Law
  • Art and the Internet
  • Art and Social Media
  • Art and Innovation
  • Art and Appropriation
  • Graffiti and the Law
  • Performance Art and Law
  • Indigenous Artifacts and Cultural Content

Learning and Teaching

This table provides an overview of how your hours of study for this module are allocated:

Scheduled Learning and Teaching ActivitiesGuided independent studyPlacement / study abroad
371130

...and this table provides a more detailed breakdown of the hours allocated to various study activities:

CategoryHours of study timeDescription
Scheduled Learning and Teaching Activities16.511 x 1.5 hour Lectures
Scheduled Learning and Teaching Activities155 x 3 hour Seminars
Scheduled Learning and Teaching activities5.5Film/on-site field trip activities
Guided independent study555 hours of reading before each lecture
Guided independent study30Seminar preparation
Guided independent study 5Formative preparation
Guided independent study 23Consolidation of learning

Online Resources

This module has online resources available via ELE (the Exeter Learning Environment).

Wallace A and Deazley R, Display At Your Own Risk (2016)

Roberts A, No Copyright Infringement Intended (2017)

Al-Badri N and Nelles N, The Other Nefertiti (2016)

 

Other Learning Resources

@Medieval Reacts


Ugly Renaissance Babies


Katrijn Van Giel

 

Louis Vuitton and Jeff Koons ‘The Masters Collection’