Undergraduate Module Descriptor

PHL1009: Philosophies of Art

This module descriptor refers to the 2021/2 academic year.

Module Content

Syllabus Plan

The module has two main parts: the first part looks at theories from the history of philosophy concerning the nature and status of art, while the second explores some individual philosophical problems arising in the field of aesthetics.Whilst the module’s precise content may vary from year to year, it is envisaged that the syllabus will cover some or all of the following themes:

Theories of art:

  •  Art as representation
  •  Art as expression
  •  The institutional theory of art


Philosophical problems in Aesthetics:

  • Hume’s critique of taste
  • Forgery
  • Emotional responses to fictional characters
  • The paradox of tragedy
  • Humour and the morality of art
  • Beauty and the natural environment

Learning and Teaching

This table provides an overview of how your hours of study for this module are allocated:

Scheduled Learning and Teaching ActivitiesGuided independent studyPlacement / study abroad
27.5122.50

...and this table provides a more detailed breakdown of the hours allocated to various study activities:

CategoryHours of study timeDescription
Scheduled Learning and Teaching activity16.511 x 1.5-hour seminars (lecturer’s explanations, student participation and discussion)
Scheduled Learning an1111 x 1 hour seminar
Guided Independent Study122.5A variety of reading and private study activities guided by the module leader. These tasks may include: Reading assignments (40 hours) Formative assessment preparation, including research and writing (20 hours) Essay preparation, including literature review, research, and writing (30 hours) Revision and exam preparation (30 hours)

Online Resources

This module has online resources available via ELE (the Exeter Learning Environment).

Stanford Encyclopedia: http://plato.stanford.edu/index.html

PhilPapers online database of philosophical papers: http://www.philpapers.org

How this Module is Assessed

In the tables below, you will see reference to 'ILO's. An ILO is an Intended Learning Outcome - see Aims and Learning Outcomes for details of the ILOs for this module.

Formative Assessment

A formative assessment is designed to give you feedback on your understanding of the module content but it will not count towards your mark for the module.

Form of assessmentSize of the assessment (eg length / duration)ILOs assessedFeedback method
One 400 word written report on seminar reading400 words1,2,5,6written

Summative Assessment

A summative assessment counts towards your mark for the module. The table below tells you what percentage of your mark will come from which type of assessment.

CourseworkWritten examsPractical exams
30700

...and this table provides further details on the summative assessments for this module.

Form of assessment% of creditSize of the assessment (eg length / duration)ILOs assessedFeedback method
Essay301500 words1,2,3,4,5,6Written and oral
Exam7090 minutes1,2,3,4,5,6written

Re-assessment

Re-assessment takes place when the summative assessment has not been completed by the original deadline, and the student has been allowed to refer or defer it to a later date (this only happens following certain criteria and is always subject to exam board approval). For obvious reasons, re-assessments cannot be the same as the original assessment and so these alternatives are set. In cases where the form of assessment is the same, the content will nevertheless be different.

Original form of assessmentForm of re-assessmentILOs re-assessedTimescale for re-assessment
EssayEssay (1500 words)1,2,3,4,5,6August/September reassessment period
ExaminationExamination (90 minutes)1,2,3,4,5,6August/September reassessment period

Indicative Reading List

This reading list is indicative - i.e. it provides an idea of texts that may be useful to you on this module, but it is not considered to be a confirmed or compulsory reading list for this module.

Basic reading:

Plato, ‘Republic, III & X’,

Beardsley, M.C. ‘Intentions and Interpretations: A Fallacy Revived’

Hume, D. ‘Of the standard of taste’,

Walton, K. ‘Fearing Fictions’,

Scruton, R. ‘Understanding Music’,

Lamarque, P. ‘Tragedy and Moral Value’,

Gaut, B. ‘The Ethical Criticism of Art’,