Photo of Professor Tia DeNora

Professor Tia DeNora

BA (West Chester), M.A., PhD (UCSD)

Professor (Sociology of Music)


01392 723280

Amory 317

In company with the SocArts Research Group at Exeter, my work examines how culture is made and how it informs activity and experience in real places and in real time. 

Within that focus, the work I do deals with musical topics and, these days, is mostly addressed to qustions about health and wellbeing, understood with a wide lens and ecologically. I work in the area of sociological theory but am very commited to empirical research and to the values of 'gentle empiricism' and 'slow' sociology. With my collaborator, Professor Gary Ansdell, I have been involved in a longitudinal ethnography of mental health and community music therapy. We think that this is probably the longest longitudinal study in the area - over ten years.

The findings from this project fed in to a three volume book project. 

Vol 1, Tia DeNora, Music Asylums: Wellbeing Through Music in Everyday Life

Vol. 2, Gary Ansdell,  How Music Helps in music therapy and everyday life

Vol. 3, Gary Ansdell & Tia DeNora,  Musical Pathways in Recovery

Gary and I began a new study in January 2017. It is also ethnographic in focus. It is set within a range of scenes of care - from a flagship hospice to a care facility for people living with different forms of neuro-disability (primarily dementia), to the complex processes that surround people as they move from one scene of care to another (for example from home to hospital, from hospital to care facility). We are interested in the sounds of music making and the ways these are experienced by residents and clients, visitors, and staff (for example, what can count as 'beautiful' music and what bearing does such a question have on opportunities for action and wellbeing and - more critically - for who can do or be what, where and when). We are also very interested in what each person brings to the collective music making and how adaptations, technical innovations, and 'good enough' attempts at musical gesture and sound get blended into the whole sound matrix and in ways that sometimes lead to new things - new musical values, new ideas, new understandings (of issues but also of people) and new relationships. In this work we are collaborating with colleagues from Norway at the University of Bergen - Professors Randi Rolvsjord and Wolfgang Schmid. I am also involved with projects under development in Norway on everyday listening and wellbeing and in the UK on mental health and culture. My two current writing projects are: (1) a monograph on music's role in sustaining hope, The Dream We Carry: music, migration and hope and (2) (early stages) a monograph related to the Care for Music project.

More generally, I have a long-standing interest in lay expertise and local, or 'grass-roots', methods of knowledge production/transmission and with that, lay classification practices (folksonomies). (Linked to this interest, my research on cervical mucus contraception ('From Physiology to Feminism: reconfiguring body, gender and expertise in natural fertility control' [International Sociology 11:3]') won an International Sociological Association award in 1994.) More recently, I have been developing research and analytical techniques that promote ecological validity (see 'Time After Time: A Quali-T Method for Assessing Music's Role as a Health Technology' in International Journal of Qualitative Research on Health and Well-being  [2013]). 

I combine these interests in a volume that was published in October 2014 by Sage, entitled, Making Sense of Reality - culture and perception in everyday life

The SocArts journal, Music and Arts in Action (MAiA) is now in its ninth year. The most recent issue can be found here: MAiA is edited by a team of postdoctoral scholars who did their PhDs within SocArts.

SocArts celebrated its tenth anniversary last May with the international symposium, The Pebbles in the Pond

SocArts regularly hosts visits from scholars from all over the world. We host formal seminars and informal workshps. The most recent event was a Masterclass in Ethnographic Methods with visitors from University of Bergen, Japan, and Nordoff Robbins, and featuring Distinguished Professor Paul Atkinson as the 'Master Ethnographer'.

For more info, see:

Interview with Jason Chang, BA Soc:  

Interview with Nune Nikoghosyan: 



Research interests

I'm very involved with music therapy - which for me is like a natural laboratory for watching music 'in action'. I am also active as an editor and editorial board member - please check out the Routledge Series Music & Change: Ecological Perspectives. I serve on the editorial boards of: British J of Music Education, Qualitative Research and I am an Advisory Member of Cultural Sociology.

My current research projects are:

(1) embodied performance of late 18th century keyboard music and the relation between music and science in Beethoven's Vienna and beyond.

(2) an ethnography of music making in late and end of life - with Prof Gary Ansdell, Prof Randi Rolvsjord and Prof Wolfgang Schmid

(3) follow on research from an AHRC grant with Prof Eric Clarke and Dr Jonna Vouskski, Oxford, on music and empathy (focused on theorizing the cultural processes that inform split-second decision making)



Research supervision

Sociology of Music, Music Sociology, Arts Sociology

I supervise work in the area of arts sociology. That includes anything from studies of music consumption, distribution, production, to studies of creativity, to historically-based studies of music and social change. 


I've had the great pleasure of working with some exceptionally talented PhD scholars over the years. See the Socarts pages for more info on who, what, when, where and where they are working now.

Research students

Recent PhDs (listing only scholars where I was first or sole supervisor):

Dana Wilson-Kovacs. Thesis: Sexual Intimacy as Aesthetic Practice: An ethnographic investigation of women, pleasure and everyday life (Degree Awarded, 2005, now working here in Exeter as a Lecturer in Sociology and Director of Undergraduate Studies in SPA)

Kari Batt-Rawden. Thesis: Everyday musical activity and health promotion (Degree Awarded, 2007, now working as a Full Time Researcher, East Norwegian Research Institute)

Sophia Krzys Acord (USA). Topic: Artistic Gatekeeping, Tacit Knowledge and Taste (Degree Awarded, 2009)   Honorable Mention in the American Sociological Association's Annual Dissertation Award  2010 now Assistant Professor, Sociology, University of Florida

Arild Bergh (Norway/UK). Topic: Music and Conflict Transformation (Degree Awarded, 2010, now working as a Researcher for the Norwegian Defence Research Establishment)

Ian Sutherland (Canada). Topic: Composers' strategies in Nazi Germany (Degree Awarded, 2010, Director of Postgraduate Studies, Bled Business School)

Trever Hagen (USA). Topic: Music in the Prague Underground, 1968-1989 (Degree Awarded, 2012, now a Leverhulme Early Career Fellow here at Exeter


Sigrun Lilja Einarsdottir (Iceland). Topic: Amateur Bach Choirs: the concept of 'choral capital'  (Assistant Professor, Bifröst University, Sociology)

Pinar Guran (Turkey). Topic: Music and cultural memory in Diaspora: the Kreuzberg experience, Wertheim Fellow, NYPL 

Mariko Hara (Japan). Topic: Music, Well-being and the Elderly - the case of Singing for the Brain. Postdoctoral Fellow, Hedmark University, Norway.

Simon Procter (UK) Topic: Music Therapy's Craft. Director of Education, Research, Quality, Nordoff Robbins Centre for Music Therapy. 

Craig Robertson (UK). Topic: Music and Conflict Resolution in Song-writing workshops (Currently also working as a Research Fellow, University of York)

Pedro dos Santos Boia (Portugal, FCT). Topic: The social identity of the Viola and Violists, 1780 to the present. Postdoctoral Researcher, Porto, Portugal

Elizabeth Dennis (UK). Topic: Action Research on Music and Dementia (see )


Current PhD students in the areas of sociology of arts and music sociology are:

Rita Gracia Alberto (Portugal, FCT). Topic: Portuguese Women Rockers - identity, networks and the care of self

Sarah Smith (UK, ESRC 1+3) Dance Psychotherapy, Embodied Sociology and Eating Disorders

Rosanna Mead (UK) Music in Gerontological Hospital Wards

Eva Schurig (EU) Personal Listening, Space and Scenic Features


 For more information see:

And for the on-line journal, founded by  former students, see:

External impact and engagement

 I engage with music therapy researchers, practitioners and trainees on a frequent basis. There has been mutual exchange of ideas between us and at Exeter within SocArts we frequently host events with and for and featuring music therapists. I also contribute, occasionally, to media coverage of music in society, most recently a feature on background music for Radio 3's, The Listening Service:  

Modules taught


My undergraduate studies were in music (my major instrument was flute) and sociology at West Chester University in Southeastern Pennsylvania. I completed my PhD in Sociology in 1989 at the University of California San Diego. From then until 1992, I worked at University of Wales Cardiff (where I was a University of Wales Fellow from 1989-91). I moved to Exeter in 1992. I have been a Fellow of the Yale Center for Cultural Sociology since 2004. I've served as Chair of the ESA Network on Arts Sociology and on various councils of learned societies, editorial boards and the 2008/2014 national Research Excellence Framework sub-panel for Sociology. With Gary Ansdell, I currently co-edit of the Routledge Series on Music & Change: Ecological Perspectives.